Worst exchange rate of March 2021: 38.3137, Best exchange rate of March 2021: 39.2083, Average exchange rate in March 2021: 38. Send money around the world and help your business grow. Currency Converter: 1 CAD to PHP Convert Canadian Dollars to Philippine Pesos Mak Money n Currency Conversion Top Cryptocurrency Pairs. Convert CAD to PHP at the real exchange rate. Convert the most popular world currencies at effective exchanges rates with the Western Union currency converter calculator. Analyze historical currency charts or live Canadian dollar / Philippine peso rates and get free rate alerts directly to your email. Worst exchange rate of February 2021: 37.3888, Best exchange rate of February 2021: 38.8504, Average exchange rate in February 2021: 38.0376 To avoid these fees or for reduced fees, use a debit card or check other payment methods. Get The Best Rates With xe Via Xe's website Canadian Dollar to Philippine Peso conversion - Last updated 05:44 UTC Result 41.053921 Philippine Peso 1 CAD 41.053921 PHP 1. Worst exchange rate of January 2021: 37.4878, Best exchange rate of January 2021: 38.0719, Average exchange rate in January 2021: 37.7772 Converting Canadian Dollar (CAD) to Philippine Peso (PHP) in 2021 with the best, worst and average exchange rates of the year Table of 1 Canadian Dollar to Philippine Peso Exchange Rate:Ĭanadian Dollar to Philippine Peso Monthly Exchange Rates
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![]() The Invitation (2015, Karyn Kusama) The Invitation (2015) – source: Drafthouse Filmsįor The Invitation, Director Karyn Kusama ( Jennifer’s Body, Girlfight), brings together an exceptional cast for this indie hit. The following films are great examples of psychological horror. Protagonists are often the dead or undead, lending to exploration of their psyche. The undead represent the physiological experience of being physically alive but animated by a force that is void of humanity. Ghosts in this sub-genre are looking for complex things. ![]() Humans are a mixture of primal truths and social conditioning. Psychological horror explores what’s created when there is a disastrous dissidence between these expectations and the natural stages of grief. This type of horror creeps up where reality and taboo meet. Processing the experience of death is a major theme in psychological horror, especially when it’s against societal or familial expectations. In psychological horror, what’s terrifying is understanding why everything is not what it seems. Traditional horror often follows the straight line of a fight for survival. Surprise is used to deepen exploration of the film’s theme. They rely more on atmosphere, subtle creepy details, suggestion, and ambiguity. These films are often light on gore and “I couldn’t sleep alone for a week!” scares. The protagonist may have to learn how to live with a monster or disappear completely into madness. Resolutions are complex, complicated, and unexpected. Characters are battling their own inner demons. Struggles with monsters, aliens, supernatural creatures are metaphors for emotional and psychological struggles. This sub-genre reveals the complexity of human nature through the use of metaphor. These are the emotional and mental fears that keep people up at night and evoke a sense of dread in everyday life. This is referred to in Jungian psychology as characteristics of the archetypal shadow. In psychological horror, suspicion, distrust, self-doubt and paranoia about oneself, others or the world are present. These films can also reflect breaking thru social norms to uncover vital aspects of the psyche that are culturally rejected. These films are designed to be more like vivid nightmares, sending the conscious mind an important message or warning of something that hasn’t been acknowledged. It also explores emotional and psychological vulnerabilities over primal survival fears. Psychological horror is a sub-genre that focuses on the darker side of the human psyche that’s often repressed. Unrealism creates perspective from terrifying situations that ironically allow a closer look at the nature of our fears. It inspires the desire to be transformed emotionally. Relevance applies to universal fears (fear of death), issues that a society fears (world-wide plague), or identification with the protagonist (overcoming a traumatic event). Tension is created through suspense, terror, gore, mystery and shock. Walters identified the primary motivations behind the drive to watch scary movies: tension, relevance and unrealism. The universal attraction to horror is a complex, rich, and dynamic brew. ![]() On the poll - yes, but probably when I'm 50+ and looking for a fuss free car ownership experience. Today's versions that we see are more toned down and don't appeal to heart as much as it used to. ![]() I still remember reading an article in autocar, that had a modded 1.5L 1st gen city with a turbo and it smoked all cars in it's segment (0-100 in 7ish seconds). Enthusiasts would rather take a decision to own a car that appeals more to their heart though.īut this is what happens when you want to please all, rather than doing what you are best at. City is a wonderfully neutral car to own, and will have appeal to head rather than heart. performance figures (see what Mahindra did with their XUV7OO diesel and petrol engines), or a laundry list of features that offers everything in the segment and then some more. The cars must have something that is unique for the buyer - e.g. ![]() VW, Skoda and Hyundai have a fire cracker of engine (1.5 Turbo petrol) matched with DSG/DCT transmissions, which make their cars more engaging to drive. Taking a leaf from what makes cars aspirational today - performance and kit. ![]() NVH levels are higher (not that I mind the beautiful iVTEC roar, but the road noise could be contained) stupid cost cutting in places like: lane assist camera only on left? why not on right side? every other car with lane assist camera has it on both sides music system - it's average at it's best and definitely room for improvement The highway handling at speeds above 100KMPH isn't confidence inspiring, the wallowing suspension takes out all the fun and the car doesn't ride flat as a sedan is expected to. The only after market stuff that I have in my car are dashcam and 3M mats Poor tyres - but could be replaced, I nit pick here since I'm someone who keeps their car in factory conditions without any aftermarket stuff. Why can't honda put a better gear box in the car at this price-point? Does honda make any other automatic gear box other than CVTs? test drove the CVT and although it's super smooth, with paddle shifters thrown in, it'll never appeal to enthusiasts the way VW/Skoda DSG's do. missing basic features such as wireless android auto/car play infotainment - compares very poorly with what others have to offer now. no DSG blues to worry about, simple machinery that delivers everytime you need it to You simply can't go wrong with honda city. nifty features: place to hold the phone near hand brake, car locks itself as I walk away and I never have to guess if I locked it or not, lane assist camera on left side - I can't imagine living without it in BLR traffic where every biker has to cut me off as soon as I give a turn signal Reliability - touch wood, never gave up on me despite all the abuses that Indian roads throw at it Engine - it's an excellent NA engine and iVTEC puts a smile on my face every time I rev it in 2nd and 3rd gears beautiful styling in and out, practicality in the cabin - never had complaints about space in the cabin, with 5 full size adults, and the boot is humongous even for people who pack heavy. As an owner of 5th Gen City (Petrol ZX MT), I believe I can throw in some comments from my experience of past 2.5 years. ![]()
![]() I do not remember having read any book from cover to cover with my boys. Children take in much more and with less labour through their ears than through their eyes. I remember very little that my teachers taught me from books, but I have even now a clear recollection of the things they taught me independently of books. I have always felt that the true text-book for the pupil is his teacher. I did not find it at all necessary to load the boys with quantities of books. I do not even remember having made much use of the books that were available. Of text-books, about which we hear so much, I never felt the want. But my love for the languages of my country, my confidence in my capacity as a teacher, as also the ignorance of my pupils, and more than that, their generosity, stood me in good stead. In poverty of literary equipment my colleagues went one better than I. Such was the capital with which I had to carry on. Even my Gujarati was no better than that which one acquires at the school. My knowledge of the Urdu script was all that I had acquired on a single voyage, and my knowledge of the language was confined to the familiar Persian and Arabic words. I had not got beyond Pope's excellent Tamil handbook. The little Tamil I knew was acquired during voyages and in jail. I had undertaken to teach Tamil and Urdu. Hindi, Tamil, Gujarati and Urdu were all taught, and tuition was given through the vernaculars of the boys. We gave three periods at the most to literary training. ![]() I had neither the resources nor the literary equipment necessary, and I had not the time I would have wished to devote to the subject. Literary training was a difficult matter. Tangerine Press squeezes fun into every book! Tangerine Press: Developed exclusively by Scholastic Book Fairs in response to what kids want to buy, Tangerine Press publishes books that are fun, unique, interactive, and creative. All of its authors are first-time writers, encompassing contemporary fiction, poetry, and memoir. Push: An imprint devoted to discovering new voices in teen literature. Klutz’s products combine clear instructions with everything you need to give kids a hands-on learning experience that ranges from the artistic to the scientific - and beyond! Klutz: Klutz is the creator of kids’ activity products that stimulate growth through creativity. Children’s Press: A publisher of accessible nonfiction children’s reference books, producing such series as Getting to Know The World’s Greatest Artists, Getting to Know the World’s Greatest Composers, True Books, Rookie Readers, and the Watts Library.Grolier: The reference and children’s non-fiction division of Franklin Watts/Children’s Press, specializing in the print and on-line series of Grolier encyclopedias. Orchard Books: Publishes both commercial and literary hardcover picture books, poetry, nonfiction, and novels for ages ranging from approximately five to fifteen.Ĭartwheel Books: Colorful, inviting paperback and novelty books created in innovative formats for the very young.Ĭartwheel Cloth Books: Features cuddly interactive cloth books with touch-and-feel textures, fun sounds, Mylar (R) mirrors, and much more for newborns and up. The Blue Sky Press: An imprint featuring distinguished picture books and fiction by the most notable authors and illustrators in children’s books today. Scholastic Trade Paperbacks: Publishes fiction and nonfiction originals in series or single titles, for kids ages 8 – 12. Levine Books: A literary imprint devoted to publishing the best of the world’s art and writing for children and young adults. Scholastic Press: Distinctive, award-winning picture books, middle-grade and young adult fiction and non-fiction including many multicultural titles.Īrthur A. Graphix: Graphix focuses on creator-driven books that add another dimension to the reading experience by bringing exceptional art, rich content, and strong storytelling to a range of genres including Fiction, Fantasy, Science Fiction, Nonfiction, and more. Scholastic is also a leading publisher of children’s books distributed through the trade channel and the leading distributor in the United States of children’s books through direct-to-home continuity programs for children ages five and younger. Scholastic is the largest publisher and distributor of children’s books and is the largest operator of school-based book clubs and school-based book fairs in the United States. Recognizing that literacy is the cornerstone of a child’s intellectual, personal and cultural growth, Scholastic, for more than 80 years, has created quality products and services that educate, entertain and motivate children and are designed to help enlarge their understanding of the world around them. No part of this service may be reproduced, stored in a retrieval system or transmitted in any form or by any means without permission.Scholastic, the global children’s publishing and media company, has a corporate mission supported through all of its divisions of instilling the love of reading and learning for lifelong pleasure in all children. © Copyright Association of American Publishers. ![]() ![]() For more information on requesting materials from publishers and for a request form, please review the Request Guidelines. If you would like to report an error in this information or you are the publisher and would like to update your information, please Contact Us. The DSS office is responsible for certifying student eligibility for accommodations and is typically the publisher's main point of contact. If you are seeking an electronic format of a book or permission to scan it, please contact your campus DSS office. If you are a publisher who would like information about participating in the Publisher Look-Up Service or the AccessText Network, please contact us. For more information on membership visit Publishers AccessText incorporates information on over 300,000 titles from leading textbook publishers. The AccessText Network facilitates the delivery of textbooks in electronic format to higher education institutions for use by students with disabilities. ![]() They can also customize the output parameters accordingly, including quality, resolution, codec, bit rate, sample rate, etc. Moreover, TunesKit AceMovi allows users to choose any output format, device or social platform when they finished the editing. They can easily use them by simply drag-and-drop to the timeline. or apply some cool effects like filters, transitions, animations, behaviors, split screen, picture in picture, background music, titles, and many more.īesides, it also offers plenty of free media resources or templates for users. Comes with a clutter-free & easy-to-grasp user interface, AceMovi can be credibly described as one of the best VOB video editors for both personal and commercial utilization. Creators can easily do some basic editing such as cutting, trimming, cropping, splitting, adjusting clip speed, etc. It offers abundant basic and advanced editing features to help users make more charming videos. The good thing is, you dont usually need much more than that. You can crop videos, put them together, insert pictures, add music, rotate the image. TunesKit AceMovi Video Editor is a non-linear video editing tool for Windows and Mac. Video Editor is an app to quickly and conveniently edit videos right from your Android. While it offers a free trial version with all features available, videos exported from the trial version will have watermarks. Every video creator can easily use it and enhance the video to the next level." added he. This is quite a simple video editing program, but full of all features you need. Users need to spend much time and effort learning, especially for the novice," said Henry Ramon, the Product Manager of TunesKit. But we found that most video editing software on the Internet are quite complex. Video has become a great way to share ideas. "Nowadays, most people tend to watch videos instead of reading text or photos. ![]() This is where you start to really dive into the details.Ī lot of students ask us: what’s the best way to read through (not just skim) an entire article? Some readers prefer to have a highlighter in hand, others prefer to jot down notes on the side, while others prefer to keep the text pristine and to take notes on the side either on a laptop or in a notebook. Doing this will allow you to better understand the article, and you can then begin to pull the quotes, statistics, and evidence you want from the article to support your thesis statement. If you’ve skimmed using the strategies above and found that the article is indeed relevant, then take the time to read it through thoroughly. Remember, the whole point of skimming is to see whether the article could be helpful for writing your research paper. There could be a small detail that the AI does not mention that is actually critical for the argument that you’re making, which is also why… If the article is relevant, then read it through! In addition, even if all the key points that the AI has distilled may be factually accurate, there’s no guarantee that those particular arguments are the ones that are most relevant to your specific research project. There have been reports of AI tools “hallucinating” and offering “facts” that are made up. While these tools may be very helpful, you shouldn’t rely entirely on AI tools for skimming articles. In the screenshot below, we asked ChatGPT to summarize this groundbreaking article in Education by Benjamin S. For example, if you have the PDF version of an article readily at hand, you can simply input it into ChatGPT and ask it to give you a summary. These tools will pull out the main points from the articles, giving you the necessary information. If after skimming the intro, conclusion, abstract, or even the main text you’re still unsure about the article, let AI help you out. These AI tools include Bearly, Quillbot, Scholarcy, Genei, and of course, the (in)famous ChatGPT. Recent advances in AI have made it exponentially easier to distill dense texts into key take away points. As you skim you should also pay attention to tables, charts, or graphics to get a quick sense of what’s going on in the article. Focus on the first and last sentences of each paragraph, and any bolded or italicized sentences. If what you find seems promising, start skimming the main text. Let’s say you’ve followed one or both of the steps explained above. Skim the main text once you’ve read the abstract or introduction/conclusion The abstract is meant to make sense on its own without any additional context, so that’s why it’s such a great way to figure out whether a source is helpful for your research. ![]() The authors will typically include an abstract that summarizes the main contents and findings of the paper. So how do you skim academic articles? A great way to do this is by reading the abstract for the writing. And if you’re anything like me you want to avoid reading for 30 minutes just to realize that the information is not useful for your own research. You will likely come across academic writing/research papers in your research that can look very intimidating and dense. Make sure to read the abstract (if it’s an academic article) Intros and conclusions tend to also include themes from the body paragraphs, so you can immediately assess whether the article might include helpful information. The introduction and conclusion of an article can provide you with a general sense of the article's argument, its main points, and its relevance to your research. ![]() VowelsBe sure to read the introduction and conclusion Where necessary, a syllabic marker diacritic is used, hence /ˈpɛd(ə)l/ but /ˈpɛdl̩i/. Some consonants can take the function of the vowel in unstressed syllables. * /d/ also represents a 'tapped' /t/ as in
![]() To replace a single element, set the start parameter to the index of the element to be replaced, deleteCount to '1', and the item parameter to the new element. By adjusting the start, deleteCount, and item parameters, you can replace any element or range of elements. The JavaScript Splice method isn't limited to adding or removing elements, it's equally adept at replacing elements in an array. Using splice to remove elements gives us fine-tuned control over our arrays and how we manage data within them. In this example, 'c' and 'd' are removed from the end of the array. To remove elements from the end, set the start parameter to a negative number representing the count from the end. Here, 'c' and 'd' are removed from the middle of the array. To remove elements from the start, set the start parameter to '0' and deleteCount to the number of elements to remove. By manipulating the deleteCount parameter, we can effectively control removals. Removing Elements with SpliceĪside from adding elements, JavaScript Splice shines in removing elements from an array. Learning to add elements using splice is a step towards more flexible and dynamic JavaScript programming. In this example, 'x' and 'y' are added at the end of the array. To append elements at the end of an array, the start parameter equals the array's length. Here, 'x' and 'y' are inserted at the third position. The start parameter points to the desired index, with deleteCount still set to '0'. Insert in the MiddleĪdding elements in the middle of an array is as straightforward. The deleteCount is set to '0' since we don't want to remove any elements. Here's how we can add 'x' and 'y' at the start. To insert elements at the beginning of an array, we set the start parameter to 0. This function provides a flexible way to insert new items at any index. One of the most common use cases of JavaScript Splice is adding elements to an array. These three parameters, start, deleteCount, and item are the building blocks of the splice method and define its behavior in JavaScript array manipulation. Here, 'x' and 'y' are added starting from index '1', and no elements are removed as deleteCount is '0'. These parameters are added in the same order they're written. ![]() parameters represent the elements to add to the array from the start index. In this case, starting from index '1', it removes '2' elements, 'b' and 'c'. If this is not provided or exceeds array length from the start index, it will remove all elements from the start to the end of the array. The optional deleteCount parameter dictates the number of elements to remove from the start index. Here, '-1' starts the change from the last index of the array. If this value is negative, it will start that many elements from the end of the array. The start parameter determines the index at which to begin changing the array. The syntax follows a general pattern: array.splice(start]]]). Understanding the syntax and parameters of the splice method is vital to use it effectively. Next, we will delve deeper into its practical applications. Through these examples, we've seen how JavaScript Splice works in various scenarios. Keep in mind, splice alters the original array, unlike some other array methods that create a new one. In this example, the removed elements 'b' and 'c' are returned. Let removed = array.splice(1, 2, 'x', 'y') Ĭonsole.log(removed) // Output: If no elements are removed, an empty array is returned. Splice returns an array containing the deleted elements. In this example, starting at index 1, it removes 2 elements and adds 'x' and 'y'. The parameters are start, deleteCount, and item. It takes at least one parameter, but can take up to three. The splice method follows the syntax: array.splice(start]]]). In this example, splice adds 'x' at index 2 of the array. let array = Ĭonsole.log(array) // Output: It's worth noting that this method modifies the original array. ![]() The JavaScript Splice method is a built-in array method that changes the content of an array by removing, replacing, or adding elements. Let's explore together how we can maximize the use of this handy function. It's more than just a way to add or remove items it's an engine of change in our data structures. ![]()
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